Danny Reveco
Valparaíso, 2021-2020
Contagio (video performance), 2021
Video-performance in which Reveco, who always wears a mask, eats a portrait of a masked President Sebastián Piñera.
Video-Performance en el que Reveco, quien siempre usa mascarilla, se come un retrato del Presidente Sebastián Piñera enmascarado.
Vídeo-Performance em que Reveco, que sempre usa máscara, come um retrato mascarado do presidente Sebastián Piñera.
Nadie ni nada està olvidadx (video performance), 2021
Video performance of the artist collecting non-perishable food and goods in Valparaíso for the over 2,500 social leaders who were imprisoned at the time in Chile, right after the ‘estallido social’, the social uprising that started in 2019 and that the pandemic exacerbated, which was met with violent repression by the authorities.
Video performance del artista recolectando alimentos y bienes no perecederos en Valparaíso para los más de 2.500 líderes sociales que se encontraban encarcelados en ese momento en Chile, inmediatamente después del ‘estallido social’, el levantamiento social iniciado en 2019 y que la pandemia agudizó. que fue recibido con violenta represión por parte de las autoridades.
Videoperformance do artista arrecadando alimentos e bens não perecíveis em Valparaíso para os mais de 2.500 líderes sociais que estavam presos naquela época no Chile, imediatamente após o ‘surto social’, o levante social que começou em 2019 e foi agravado pela pandemia. que foi recebido com violenta repressão pelas autoridades.
Miedo, 2021
Video, 30 mins. Non-narrative video piece through which the artist seeks to convey the sense of fear that was prevalent at the beginning of the pandemic.
Vídeo, 30 min. Pieza de video no narrativa a través de la cual el artista busca transmitir la sensación de miedo que prevalecía al inicio de la pandemia.
Vídeo, 30 min. Pieza de video no narrativa a través de la cual el artista busca transmitir la sensación de miedo que prevalecía al inicio de la pandemia.
Serie Abrazos, 2020-2021
Drawings, cartoons and graffities of individuals hugging.
Dibujos, caricaturas y graffitis de personas abrazándose.
Desenhos, caricaturas e grafites de pessoas se abraçando.
Imagen higienista (Benjamín Vicuña Mackena y sus secuaces), 2020
Digitally intervened early twentieth century photograph of Santiago City Intendent Benjamín Vicuña Mackenna, a conservative liberal, standing with other government officials on top of Huelen Hill, which he saw wanted to transform into a French-style park. This park would not only provide a green lung in the middle of the city, it would also serve to separate the city’s elite from the indigenous and peasant migrants that were arriving to the city at the time and whom Vicuña Mackenna saw as a ‘dirty’ and uncouth population that had to be cleansed. Revecco intervenes the hilltop with phrases and slogans used by protesters during the ‘estallido social’, thereby connecting the segregationist views of the Chilean elite of the past with the social separation and injustice of the present.
Digitally intervened early twentieth century photograph of Santiago City Intendent Benjamín Vicuña Mackenna, a conservative liberal, standing with other government officials on top of Huelen Hill, which he saw wanted to transform into a French-style park. This park would not only provide a green lung in the middle of the city, it would also serve to separate the city’s elite from the indigenous and peasant migrants that were arriving to the city at the time and whom Vicuña Mackenna saw as a ‘dirty’ and uncouth population that had to be cleansed. Revecco intervenes the hilltop with phrases and slogans used by protesters during the ‘estallido social’, thereby connecting the segregationist views of the Chilean elite of the past with the social separation and injustice of the present.
Digitally intervened early twentieth century photograph of Santiago City Intendent Benjamín Vicuña Mackenna, a conservative liberal, standing with other government officials on top of Huelen Hill, which he saw wanted to transform into a French-style park. This park would not only provide a green lung in the middle of the city, it would also serve to separate the city’s elite from the indigenous and peasant migrants that were arriving to the city at the time and whom Vicuña Mackenna saw as a ‘dirty’ and uncouth population that had to be cleansed. Revecco intervenes the hilltop with phrases and slogans used by protesters during the ‘estallido social’, thereby connecting the segregationist views of the Chilean elite of the past with the social separation and injustice of the present.
